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Sons
and Lovers, by D. H. Lawrence Chapter
VI Death
In The Family ARTHUR
MOREL was growing up. He was a
quick, careless, impulsive boy, a good deal like his father. He hated study, made a great moan if he had to work, and
escaped as soon as possible to his sport again.
In
appearance he remained the flower of the family, being well made, graceful,
and full of life. His dark
brown hair and fresh colouring, and his exquisite dark blue eyes shaded with
long lashes, together with his generous manner and fiery temper, made him a
favourite. But as he grew older
his temper became uncertain. He
flew into rages over nothing, seemed unbearably raw and irritable. His
mother, whom he loved, wearied of him sometimes. He thought only of himself.
When he wanted amusement, all that stood in his way he hated, even if
it were she. When he was in
trouble he moaned to her ceaselessly. "Goodness,
boy!" she said, when he groaned about a master who, he said, hated him,
"if you don't like it, alter it, and if you can't alter it, put up with
it." And
his father, whom he had loved and who had worshipped him, he came to detest.
As he grew older Morel fell into a slow ruin.
His body, which had been beautiful in movement and in being, shrank,
did not seem to ripen with the years, but to get mean and rather despicable.
There came over him a look of meanness and of paltriness.
And when the mean-looking elderly man bullied or ordered the boy
about, Arthur was furious. Moreover, Morel's manners got worse and worse, his habits
somewhat disgusting. When the
children were growing up and in the crucial stage of adolescence, the father
was like some ugly irritant to their souls.
His manners in the house were the same as he used among the colliers
down pit. "Dirty
nuisance!" Arthur would
cry, jumping up and going straight out of the house when his father
disgusted him. And Morel
persisted the more because his children hated it.
He seemed to take a kind of satisfaction in disgusting them, and
driving them nearly mad, while they were so irritably sensitive at the age
of fourteen or fifteen. So that
Arthur, who was growing up when his father was degenerate and elderly, hated
him worst of all. Then,
sometimes, the father would seem to feel the contemptuous hatred of his
children. "There's
not a man tries harder for his family!" he would shout.
"He does his best for them, and then gets treated like a dog.
But I'm not going to stand it, I tell you!" But
for the threat and the fact that he did not try so hard as be imagined, they
would have felt sorry. As it
was, the battle now went on nearly all between father and children, he
persisting in his dirty and disgusting ways, just to assert his
independence. They loathed him. Arthur
was so inflamed and irritable at last, that when he won a scholarship for
the Grammar School in Nottingham, his mother decided to let him live in
town, with one of her sisters, and only come home at week-ends. Annie
was still a junior teacher in the Board-school, earning about four shillings
a week. But soon she would have
fifteen shillings, since she had passed her examination, and there would be
financial peace in the house. |
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Mrs.
Morel clung now to Paul. He was
quiet and not brilliant. But
still he stuck to his painting, and still he stuck to his mother. Everything he did was for her.
She waited for his coming home in the evening, and then she
unburdened herself of all she had pondered, or of all that had occurred to
her during the day. He sat and
listened with his earnestness. The
two shared lives. William
was engaged now to his brunette, and had bought her an engagement ring that
cost eight guineas. The
children gasped at such a fabulous price. "Eight
guineas!" said Morel. "More
fool him! If he'd gen me some
on't, it 'ud ha' looked better on 'im." "Given
YOU some of it!" cried Mrs. Morel.
"Why give YOU some of it!" She
remembered HE had bought no engagement ring at all, and she preferred
William, who was not mean, if he were foolish.
But now the young man talked only of the dances to which he went with
his betrothed, and the different resplendent clothes she wore; or he told
his mother with glee how they went to the theatre like great swells. He
wanted to bring the girl home. Mrs.
Morel said she should come at the Christmas.
This time William arrived with a lady, but with no presents.
Mrs. Morel had prepared supper.
Hearing footsteps, she rose and went to the door.
William entered. "Hello,
mother!" He kissed her
hastily, then stood aside to present a tall, handsome girl, who was wearing
a costume of fine black-and-white check, and furs. "Here's
Gyp!" Miss
Western held out her hand and showed her teeth in a small smile. "Oh,
how do you do, Mrs. Morel!" she exclaimed. "I
am afraid you will be hungry," said Mrs. Morel. "Oh
no, we had dinner in the train. Have
you got my gloves, Chubby?" William
Morel, big and raw-boned, looked at her quickly. "How
should I?" he said. "Then
I've lost them. Don't be cross
with me." A
frown went over his face, but he said nothing.
She glanced round the kitchen. It
was small and curious to her, with its glittering kissing-bunch, its
evergreens behind the pictures, its wooden chairs and little deal table.
At that moment Morel came in. "Hello,
dad!" "Hello,
my son! Tha's let on me!" The
two shook hands, and William presented the lady. She gave the same smile that showed her teeth. "How
do you do, Mr. Morel?" Morel
bowed obsequiously. "I'm
very well, and I hope so are you. You
must make yourself very welcome." "Oh,
thank you," she replied, rather amused. "You
will like to go upstairs," said Mrs. Morel. "If
you don't mind; but not if it is any trouble to you." "It
is no trouble. Annie will take
you. Walter, carry up this
box." "And
don't be an hour dressing yourself up," said William to his betrothed. Annie
took a brass candlestick, and, too shy almost to speak, preceded the young
lady to the front bedroom, which Mr. and Mrs. Morel had vacated for her.
It, too, was small and cold by candlelight.
The colliers' wives only lit fires in bedrooms in case of extreme
illness. "Shall
I unstrap the box?" asked Annie. "Oh,
thank you very much!" Annie
played the part of maid, then went downstairs for hot water. "I
think she's rather tired, mother," said William. "It's a beastly journey, and we had such a rush." "Is
there anything I can give her?" asked Mrs. Morel. "Oh
no, she'll be all right." But
there was a chill in the atmosphere. After
half an hour Miss Western came down, having put on a purplish-coloured
dress, very fine for the collier's kitchen. "I
told you you'd no need to change," said William to her. "Oh,
Chubby!" Then she turned
with that sweetish smile to Mrs. Morel.
"Don't you think he's always grumbling, Mrs. Morel?" "Is
he?" said Mrs. Morel. "That's
not very nice of him." "It
isn't, really!" "You
are cold," said the mother. "Won't
you come near the fire?" Morel
jumped out of his armchair. "Come
and sit you here!" he cried. "Come
and sit you here!" "No,
dad, keep your own chair. Sit
on the sofa, Gyp," said William. "No,
no!" cried Morel. "This
cheer's warmest. Come and sit
here, Miss Wesson." "Thank
you so much," said the girl, seating herself in the collier's armchair,
the place of honour. She
shivered, feeling the warmth of the kitchen penetrate her. "Fetch
me a hanky, Chubby dear!" she said, putting up her mouth to him, and
using the same intimate tone as if they were alone; which made the rest of
the family feel as if they ought not to be present.
The young lady evidently did not realise them as people:
they were creatures to her for the present.
William winced. In
such a household, in Streatham, Miss Western would have been a lady
condescending to her inferiors. These
people were to her, certainly clownish--in short, the working classes.
How was she to adjust herself? "I'll
go," said Annie. Miss
Western took no notice, as if a servant had spoken. But when the girl came downstairs again with the
handkerchief, she said: "Oh,
thank you!" in a gracious way. She
sat and talked about the dinner on the train, which had been so poor; about
London, about dances. She was
really very nervous, and chattered from fear.
Morel sat all the time smoking his thick twist tobacco, watching her,
and listening to her glib London speech, as he puffed.
Mrs. Morel, dressed up in her best black silk blouse, answered
quietly and rather briefly. The three children sat round in silence and admiration.
Miss Western was the princess. Everything
of the best was got out for her: the
best cups, the best spoons, the best table cloth, the best coffee-jug. The
children thought she must find it quite grand.
She felt strange, not able to realise the people, not knowing how to
treat them. William joked, and
was slightly uncomfortable. At
about ten o'clock he said to her: "Aren't
you tired, Gyp?" "Rather,
Chubby," she answered, at once in the intimate tones and putting her
head slightly on one side. "I'll
light her the candle, mother," he said. "Very
well," replied the mother. Miss
Western stood up, held out her hand to Mrs. Morel. "Good-night,
Mrs. Morel," she said. Paul
sat at the boiler, letting the water run from the tap into a stone
beer-bottle. Annie swathed the bottle in an old flannel pit-singlet, and
kissed her mother good-night. She was to share the room with the lady,
because the house was full. "You
wait a minute," said Mrs. Morel to Annie.
And Annie sat nursing the hot-water bottle. Miss Western shook hands all round, to everybody's
discomfort, and took her departure, preceded by William.
In five minutes he was downstairs again. His heart was rather sore; he did not know why.
He talked very little till everybody had gone to bed, but himself and
his mother. Then he stood with
his legs apart, in his old attitude on the hearthrug, and said hesitatingly: "Well,
mother?" "Well,
my son?" She
sat in the rocking-chair, feeling somehow hurt and humiliated, for his sake. "Do
you like her?" "Yes,"
came the slow answer. "She's
shy yet, mother. She's not used
to it. It's different from her
aunt's house, you know." "Of
course it is, my boy; and she must find it difficult." "She
does." Then he frowned
swiftly. "If only she
wouldn't put on her BLESSED airs!" "It's
only her first awkwardness, my boy. She'll
be all right." "That's
it, mother," he replied gratefully.
But his brow was gloomy. "You
know, she's not like you, mother. She's not serious, and she can't think." "She's
young, my boy." "Yes;
and she's had no sort of show. Her
mother died when she was a child. Since
then she's lived with her aunt, whom she can't bear. And her father was a rake.
She's had no love." "No!
Well, you must make up to her." "And
so--you have to forgive her a lot of things." "WHAT
do you have to forgive her, my boy?" "I
dunno. When she seems shallow,
you have to remember she's never had anybody to bring her deeper side out.
And she's FEARFULLY fond of me." "Anybody
can see that." "But
you know, mother--she's--she's different from us. Those sort of people, like those she lives amongst, they
don't seem to have the same principles." "You
mustn't judge too hastily," said Mrs. Morel. But
he seemed uneasy within himself. In
the morning, however, he was up singing and larking round the house. "Hello!"
he called, sitting on the stairs. "Are
you getting up?" "Yes,"
her voice called faintly. "Merry
Christmas!" he shouted to her. Her
laugh, pretty and tinkling, was heard in the bedroom. She did not come down in half an hour. "Was
she REALLY getting up when she said she was?" he asked of Annie. "Yes,
she was," replied Annie. He
waited a while, then went to the stairs again. "Happy
New Year," he called. "Thank
you, Chubby dear!" came the laughing voice, far away. "Buck
up!" he implored. It
was nearly an hour, and still he was waiting for her. Morel, who always rose before six, looked at the clock. "Well,
it's a winder!" he exclaimed. The
family had breakfasted, all but William.
He went to the foot of the stairs. "Shall
I have to send you an Easter egg up there?" he called, rather crossly.
She only laughed. The
family expected, after that time of preparation, something like magic.
At last she came, looking very nice in a blouse and skirt. "Have
you REALLY been all this time getting ready?" he asked. "Chubby
dear! That question is not
permitted, is it, Mrs. Morel?" She
played the grand lady at first. When
she went with William to chapel, he in his frock-coat and silk hat, she in
her furs and London-made costume, Paul and Arthur and Annie expected
everybody to bow to the ground in admiration.
And Morel, standing in his Sunday suit at the end of the road,
watching the gallant pair go, felt he was the father of princes and
princesses. And
yet she was not so grand. For a
year now she had been a sort of secretary or clerk in a London office.
But while she was with the Morels she queened it.
She sat and let Annie or Paul wait on her as if they were her
servants. She treated Mrs.
Morel with a certain glibness and Morel with patronage.
But after a day or so she began to change her tune. William
always wanted Paul or Annie to go along with them on their walks.
It was so much more interesting.
And Paul really DID admire "Gipsy" wholeheartedly; in fact,
his mother scarcely forgave the boy for the adulation with which he treated
the girl. On
the second day, when Lily said: "Oh,
Annie, do you know where I left my muff?"
William replied: "You
know it is in your bedroom. Why
do you ask Annie?" And
Lily went upstairs with a cross, shut mouth.
But it angered the young man that she made a servant of his sister. On
the third evening William and Lily were sitting together in the parlour by
the fire in the dark. At a
quarter to eleven Mrs. Morel was heard raking the fire.
William came out to the kitchen, followed by his beloved. "Is
it as late as that, mother?" he said.
She had been sitting alone. "It
is not LATE, my boy, but it is as late as I usually sit up." "Won't
you go to bed, then?" he asked. "And
leave you two? No, my boy, I
don't believe in it." "Can't
you trust us, mother?" "Whether
I can or not, I won't do it. You
can stay till eleven if you like, and I can read." "Go
to bed, Gyp," he said to his girl.
"We won't keep mater waiting." "Annie
has left the candle burning, Lily," said Mrs. Morel; "I think you
will see." "Yes,
thank you. Good-night, Mrs.
Morel." William
kissed his sweetheart at the foot of the stairs, and she went.
He returned to the kitchen. "Can't
you trust us, mother?" he repeated, rather offended. "My
boy, I tell you I don't BELIEVE in leaving two young things like you alone
downstairs when everyone else is in bed." And
he was forced to take this answer. He
kissed his mother good-night. At
Easter he came over alone. And
then he discussed his sweetheart endlessly with his mother. "You
know, mother, when I'm away from her I don't care for her a bit.
I shouldn't care if I never saw her again.
But, then, when I'm with her in the evenings I am awfully fond of
her." "It's
a queer sort of love to marry on," said Mrs. Morel, "if she holds
you no more than that!" "It
IS funny!" he exclaimed. It
worried and perplexed him. "But
yet--there's so much between us now I couldn't give her up." "You
know best," said Mrs. Morel. "But
if it is as you say, I wouldn't call it LOVE--at any rate, it doesn't look
much like it." "Oh,
I don't know, mother. She's an
orphan, and---" They
never came to any sort of conclusion. He
seemed puzzled and rather fretted. She
was rather reserved. All his
strength and money went in keeping this girl.
He could scarcely afford to take his mother to Nottingham when he
came over. Paul's
wages had been raised at Christmas to ten shillings, to his great joy.
He was quite happy at Jordan's, but his health suffered from the long
hours and the confinement. His
mother, to whom he became more and more significant, thought how to help. His
half-day holiday was on Monday afternoon.
On a Monday morning in May, as the two sat alone at breakfast, she
said: "I
think it will be a fine day." He
looked up in surprise. This
meant something. "You
know Mr. Leivers has gone to live on a new farm. Well, he asked me last week if I wouldn't go and see Mrs.
Leivers, and I promised to bring you on Monday if it's fine.
Shall we go?" "I
say, little woman, how lovely!" he cried.
"And we'll go this afternoon?" Paul
hurried off to the station jubilant. Down
Derby Road was a cherry-tree that glistened.
The old brick wall by the Statutes ground burned scarlet, spring was
a very flame of green. And the steep swoop of highroad lay, in its cool morning
dust, splendid with patterns of sunshine and shadow, perfectly still.
The trees sloped their great green shoulders proudly; and inside the
warehouse all the morning, the boy had a vision of spring outside. When
he came home at dinner-time his mother was rather excited. "Are
we going?" he asked. "When
I'm ready," she replied. Presently
he got up. "Go
and get dressed while I wash up," he said. She
did so. He washed the pots,
straightened, and then took her boots.
They were quite clean. Mrs.
Morel was one of those naturally exquisite people who can walk in mud
without dirtying their shoes. But
Paul had to clean them for her. They
were kid boots at eight shillings a pair.
He, however, thought them the most dainty boots in the world, and he
cleaned them with as much reverence as if they had been flowers. Suddenly
she appeared in the inner doorway rather shyly. She had got a new cotton blouse on. Paul jumped up and went forward. "Oh,
my stars!" he exclaimed. "What
a bobby-dazzler!" She
sniffed in a little haughty way, and put her head up. "It's
not a bobby-dazzler at all!" she replied.
"It's very quiet." She
walked forward, whilst he hovered round her. "Well,"
she asked, quite shy, but pretending to be high and mighty, "do you
like it?" "Awfully!
You ARE a fine little woman to go jaunting out with!" He
went and surveyed her from the back. "Well,"
he said, "if I was walking down the street behind you, I should say:
'Doesn't THAT little person fancy herself!"' "Well,
she doesn't," replied Mrs. Morel.
"She's not sure it suits her." "Oh
no! she wants to be in dirty black, looking as if she was wrapped in burnt
paper. It DOES suit you, and I
say you look nice." She
sniffed in her little way, pleased, but pretending to know better. "Well,"
she said, "it's cost me just three shillings. You couldn't have got it ready-made for that price, could
you?" "I
should think you couldn't," he replied. "And,
you know, it's good stuff." "Awfully
pretty," he said. The
blouse was white, with a little sprig of heliotrope and black. "Too
young for me, though, I'm afraid," she said. "Too
young for you!" he exclaimed in disgust.
"Why don't you buy some false white hair and stick it on your
head." "I
s'll soon have no need," she replied.
"I'm going white fast enough." "Well,
you've no business to," he said. "What
do I want with a white-haired mother?" "I'm
afraid you'll have to put up with one, my lad," she said rather
strangely. They
set off in great style, she carrying the umbrella William had given her,
because of the sun. Paul was
considerably taller than she, though he was not big. He fancied himself. On
the fallow land the young wheat shone silkily.
Minton pit waved its plumes of white steam, coughed, and rattled
hoarsely. "Now
look at that!" said Mrs. Morel. Mother
and son stood on the road to watch. Along the ridge of the great pit-hill crawled a little group
in silhouette against the sky, a horse, a small truck, and a man.
They climbed the incline against the heavens.
At the end the man tipped the wagon.
There was an undue rattle as the waste fell down the sheer slope of
the enormous bank. "You
sit a minute, mother," he said, and she took a seat on a bank, whilst
he sketched rapidly. She was
silent whilst he worked, looking round at the afternoon, the red cottages
shining among their greenness. "The
world is a wonderful place," she said, "and wonderfully
beautiful." "And
so's the pit," he said. "Look
how it heaps together, like something alive almost--a big creature that you
don't know." "Yes,"
she said. "Perhaps!" "And
all the trucks standing waiting, like a string of beasts to be fed," he
said. "And
very thankful I am they ARE standing," she said, "for that means
they'll turn middling time this week." "But
I like the feel of MEN on things, while they're alive.
There's a feel of men about trucks, because they've been handled with
men's hands, all of them." "Yes,"
said Mrs. Morel. They
went along under the trees of the highroad.
He was constantly informing her, but she was interested.
They passed the end of Nethermere, that was tossing its sunshine like
petals lightly in its lap. Then they turned on a private road, and in some trepidation
approached a big farm. A dog
barked furiously. A woman came
out to see. "Is
this the way to Willey Farm?" Mrs.
Morel asked. Paul
hung behind in terror of being sent back.
But the woman was amiable, and directed them. The mother and son went through the wheat and oats, over a
little bridge into a wild meadow. Peewits,
with their white breasts glistening, wheeled and screamed about them.
The lake was still and blue. High
overhead a heron floated. Opposite,
the wood heaped on the hill, green and still. "It's
a wild road, mother," said Paul. "Just
like Canada." "Isn't
it beautiful!" said Mrs. Morel, looking round. "See
that heron--see--see her legs?" He
directed his mother, what she must see and what not. And she was quite content. "But
now," she said, "which way? He
told me through the wood." The
wood, fenced and dark, lay on their left. "I
can feel a bit of a path this road," said Paul. "You've got town feet, somehow or other, you have." They
found a little gate, and soon were in a broad green alley of the wood, with
a new thicket of fir and pine on one hand, an old oak glade dipping down on
the other. And among the oaks
the bluebells stood in pools of azure, under the new green hazels, upon a
pale fawn floor of oak-leaves. He found flowers for her. "Here's
a bit of new-mown hay," he said; then, again, he brought her
forget-me-nots. And, again, his heart hurt with love, seeing her hand, used
with work, holding the little bunch of flowers he gave her.
She was perfectly happy. But
at the end of the riding was a fence to climb.
Paul was over in a second. "Come,"
he said, "let me help you." "No,
go away. I will do it in my own
way." He
stood below with his hands up ready to help her. She climbed cautiously. "What
a way to climb!" he exclaimed scornfully, when she was safely to earth
again. "Hateful
stiles!" she cried. "Duffer
of a little woman," he replied, "who can't get over 'em." In
front, along the edge of the wood, was a cluster of low red farm buildings.
The two hastened forward. Flush
with the wood was the apple orchard, where blossom was falling on the
grindstone. The pond was deep
under a hedge and overhanging oak trees.
Some cows stood in the shade. The
farm and buildings, three sides of a quadrangle, embraced the sunshine
towards the wood. It was very
still. Mother
and son went into the small railed garden, where was a scent of red
gillivers. By the open door
were some floury loaves, put out to cool.
A hen was just coming to peck them.
Then, in the doorway suddenly appeared a girl in a dirty apron. She was about fourteen years old, had a rosy dark face, a
bunch of short black curls, very fine and free, and dark eyes; shy,
questioning, a little resentful of the strangers, she disappeared. In a minute another figure appeared, a small, frail woman,
rosy, with great dark brown eyes. "Oh!"
she exclaimed, smiling with a little glow, "you've come, then.
I AM glad to see you." Her
voice was intimate and rather sad. The
two women shook hands. "Now
are you sure we're not a bother to you?" said Mrs. Morel.
"I know what a farming life is." "Oh
no! We're only too thankful to
see a new face, it's so lost up here." "I
suppose so," said Mrs. Morel. They
were taken through into the parlour--a long, low room, with a great bunch of
guelder-roses in the fireplace. There
the women talked, whilst Paul went out to survey the land.
He was in the garden smelling the gillivers and looking at the
plants, when the girl came out quickly to the heap of coal which stood by
the fence. "I
suppose these are cabbage-roses?" he said to her, pointing to the
bushes along the fence. She
looked at him with startled, big brown eyes. "I
suppose they are cabbage-roses when they come out?" he said. "I
don't know," she faltered. "They're
white with pink middles." "Then
they're maiden-blush." Miriam
flushed. She had a beautiful
warm colouring. "I
don't know," she said. "You
don't have MUCH in your garden," he said. "This
is our first year here," she answered, in a distant, rather superior
way, drawing back and going indoors. He
did not notice, but went his round of exploration.
Presently his mother came out, and they went through the buildings.
Paul was hugely delighted. "And
I suppose you have the fowls and calves and pigs to look after?" said
Mrs. Morel to Mrs. Leivers. "No,"
replied the little woman. "I
can't find time to look after cattle, and I'm not used to it.
It's as much as I can do to keep going in the house." "Well,
I suppose it is," said Mrs. Morel. Presently
the girl came out. "Tea
is ready, mother," she said in a musical, quiet voice. "Oh,
thank you, Miriam, then we'll come," replied her mother, almost
ingratiatingly. "Would you
CARE to have tea now, Mrs. Morel?" "Of
course," said Mrs. Morel. "Whenever
it's ready." Paul
and his mother and Mrs. Leivers had tea together. Then they went out into the wood that was flooded with
bluebells, while fumy forget-me-nots were in the paths.
The mother and son were in ecstasy together. When
they got back to the house, Mr. Leivers and Edgar, the eldest son, were in
the kitchen. Edgar was about
eighteen. Then Geoffrey and
Maurice, big lads of twelve and thirteen, were in from school.
Mr. Leivers was a good-looking man in the prime of life, with a
golden-brown moustache, and blue eyes screwed up against the weather. The
boys were condescending, but Paul scarcely observed it.
They went round for eggs, scrambling into all sorts of places.
As they were feeding the fowls Miriam came out.
The boys took no notice of her.
One hen, with her yellow chickens, was in a coop.
Maurice took his hand full of corn and let the hen peck from it. "Durst
you do it?" he asked of Paul. "Let's
see," said Paul. He
had a small hand, warm, and rather capable-looking. Miriam watched.
He held the corn to the hen. The
bird eyed it with her hard, bright eye, and suddenly made a peck into his
hand. He started, and laughed.
"Rap, rap, rap!" went the bird's beak in his palm.
He laughed again, and the other boys joined. "She
knocks you, and nips you, but she never hurts," said Paul, when the
last corn had gone. " Now,
Miriam," said Maurice, "you come an 'ave a go." "No,"
she cried, shrinking back. "Ha!
baby. The mardy-kid!" said
her brothers. "It
doesn't hurt a bit," said Paul. "It
only just nips rather nicely." "No,"
she still cried, shaking her black curls and shrinking. "She
dursn't," said Geoffrey. "She
niver durst do anything except recite poitry." "Dursn't
jump off a gate, dursn't tweedle, dursn't go on a slide, dursn't stop a girl
hittin' her. She can do nowt
but go about thinkin' herself somebody.
'The Lady of the Lake.' Yah!"
cried Maurice. Miriam
was crimson with shame and misery. "I
dare do more than you," she cried.
"You're never anything but cowards and bullies." "Oh,
cowards and bullies!" they repeated mincingly, mocking her speech.
"Not such a clown shall anger me,
A boor is answered silently," he
quoted against her, shouting with laughter. She
went indoors. Paul went with
the boys into the orchard, where they had rigged up a parallel bar.
They did feats of strength. He
was more agile than strong, but it served.
He fingered a piece of apple-blossom that hung low on a swinging
bough. |