The House of Mirth, by Edith Wharton
Book I (part
In reality, the two differed from each other as much as they differed from the object of their mutual contemplation. Miss Farish's heart was a fountain of tender illusions, Miss Stepney's a precise register of facts as manifested in their relation to herself. She had sensibilities which, to Lily, would have seemed comic in a person with a freckled nose and red eyelids, who lived in a boarding-house and admired Mrs. Peniston's drawing-room; but poor Grace's limitations gave them a more concentrated inner life, as poor soil starves certain plants into intenser efflorescence. She had in truth no abstract propensity to malice: she did not dislike Lily because the latter was brilliant and predominant, but because she thought that Lily disliked her. It is less mortifying to believe one's self unpopular than insignificant, and vanity prefers to assume that indifference is a latent form of unfriendliness. Even such scant civilities as Lily accorded to Mr. Rosedale would have made Miss Stepney her friend for life; but how could she foresee that such a friend was worth cultivating? How, moreover, can a young woman who has never been ignored measure the pang which this injury inflicts? And, lastly, how could Lily, accustomed to choose between a pressure of engagements, guess that she had mortally offended Miss Stepney by causing her to be excluded from one of Mrs. Peniston's infrequent dinner-parties?
Mrs. Peniston disliked giving dinners, but she had a high sense of family obligation, and on the Jack Stepneys' return from their honeymoon she felt it incumbent upon her to light the drawing-room lamps and extract her best silver from the Safe Deposit vaults. Mrs. Peniston's rare entertainments were preceded by days of heart-rending vacillation as to every detail of the feast, from the seating of the guests to the pattern of the table-cloth, and in the course of one of these preliminary discussions she had imprudently suggested to her cousin Grace that, as the dinner was a family affair, she might be included in it. For a week the prospect had lighted up Miss Stepney's colourless existence; then she had been given to understand that it would be more convenient to have her another day. Miss Stepney knew exactly what had happened. Lily, to whom family reunions were occasions of unalloyed dulness, had persuaded her aunt that a dinner of "smart" people would be much more to the taste of the young couple, and Mrs. Peniston, who leaned helplessly on her niece in social matters, had been prevailed upon to pronounce Grace's exile. After all, Grace could come any other day; why should she mind being put off?
It was precisely because Miss Stepney could come any other day--and because she knew her relations were in the secret of her unoccupied evenings--that this incident loomed gigantically on her horizon. She was aware that she had Lily to thank for it; and dull resentment was turned to active animosity.
Mrs. Peniston, on whom she had looked in a day or two after the dinner, laid down her crochet-work and turned abruptly from her oblique survey of Fifth Avenue.
"Gus Trenor?--Lily and Gus Trenor?" she said, growing so suddenly pale that her visitor was almost alarmed.
"Oh, cousin Julia . . . of course I don't mean . . ."
"I don't know what you DO mean," said Mrs. Peniston, with a frightened quiver in her small fretful voice. "Such things were never heard of in my day. And my own niece! I'm not sure I understand you. Do people say he's in love with her?"
Mrs. Peniston's horror was genuine. Though she boasted an unequalled familiarity with the secret chronicles of society, she had the innocence of the school-girl who regards wickedness as a part of "history," and to whom it never occurs that the scandals she reads of in lesson-hours may be repeating themselves in the next street. Mrs. Peniston had kept her imagination shrouded, like the drawing-room furniture. She knew, of course, that society was "very much changed," and that many women her mother would have thought "peculiar" were now in a position to be critical about their visiting-lists; she had discussed the perils of divorce with her rector, and had felt thankful at times that Lily was still unmarried; but the idea that any scandal could attach to a young girl's name, above all that it could be lightly coupled with that of a married man, was so new to her that she was as much aghast as if she had been accused of leaving her carpets down all summer, or of violating any of the other cardinal laws of housekeeping.
Miss Stepney, when her first fright had subsided, began to feel the superiority that greater breadth of mind confers. It was really pitiable to be as ignorant of the world as Mrs. Peniston! She smiled at the latter's question. "People always say unpleasant things--and certainly they're a great deal together. A friend of mine met them the other afternoon in the Park-quite late, after the lamps were lit. It s a pity Lily makes herself so conspicuous."
"CONSPICUOUS!" gasped Mrs. Peniston. She bent forward, lowering her voice to mitigate the horror. "What sort of things do they say? That he means to get a divorce and marry her?"
Grace Stepney laughed outright. "Dear me, no! He would hardly do that. It--it's a flirtation--nothing more."
"A flirtation? Between my niece and a married man? Do you mean to tell me that, with Lily's looks and advantages, she could find no better use for her time than to waste it on a fat stupid man almost old enough to be her father?" This argument had such a convincing ring that it gave Mrs. Peniston sufficient reassurance to pick up her work, while she waited for Grace Stepney to rally her scattered forces.
But Miss Stepney was on the spot in an instant. "That's the worst of it--people say she isn't wasting her time! Every one knows, as you say, that Lily is too handsome and-and charming--to devote herself to a man like Gus Trenor unless--"
"Unless?" echoed Mrs. Peniston. Her visitor drew breath nervously. It was agreeable to shock Mrs. Peniston, but not to shock her to the verge of anger. Miss Stepney was not sufficiently familiar with the classic drama to have recalled in advance how bearers of bad tidings are proverbially received, but she now had a rapid vision of forfeited dinners and a reduced wardrobe as the possible consequence of her disinterestedness. To the honour of her sex, however, hatred of Lily prevailed over more personal considerations. Mrs. Peniston had chosen the wrong moment to boast of her niece's charms.
"Unless," said Grace, leaning forward to speak with low-toned emphasis, "unless there are material advantages to be gained by making herself agreeable to him."
She felt that the moment was tremendous, and remembered suddenly that Mrs. Peniston's black brocade, with the cut jet fringe, would have been hers at the end of the season.
Mrs. Peniston put down her work again. Another aspect of the same idea had presented itself to her, and she felt that it was beneath her dignity to have her nerves racked by a dependent relative who wore her old clothes.
"If you take pleasure in annoying me by mysterious insinuations," she said coldly, "you might at least have chosen a more suitable time than just as I am recovering from the strain of giving a large dinner."
The mention of the dinner dispelled Miss Stepney's last scruples. "I don't know why I should be accused of taking pleasure in telling you about Lily. I was sure I shouldn't get any thanks for it," she returned with a flare of temper. "But I have some family feeling left, and as you are the only person who has any authority over Lily, I thought you ought to know what is being said of her." "Well," said Mrs. Peniston, "what I complain of is that you haven't told me yet what IS being said."
"I didn't suppose I should have to put it so plainly. People say that Gus Trenor pays her bills."
"Pays her bills--her bills?" Mrs. Peniston broke into a laugh. "I can't imagine where you can have picked up such rubbish. Lily has her own income--and I provide for her very handsomely--"
"Oh, we all know that," interposed Miss Stepney drily. "But Lily wears a great many smart gowns--"
"I like her to be well-dressed--it's only suitable!"
"Certainly; but then there are her gambling debts besides."
Miss Stepney, in the beginning, had not meant to bring up this point; but Mrs. Peniston had only her own incredulity to blame. She was like the stiff-necked unbelievers of Scripture, who must be annihilated to be convinced.
"Gambling debts? Lily?" Mrs. Peniston's voice shook with anger and bewilderment. She wondered whether Grace Stepney had gone out of her mind. "What do you mean by her gambling debts?"
"Simply that if one plays bridge for money in Lily's set one is liable to lose a great deal--and I don't suppose Lily always wins."
"Who told you that my niece played cards for money?"
"Mercy, cousin Julia, don't look at me as if I were trying to turn you against Lily! Everybody knows she is crazy about bridge. Mrs. Gryce told me herself that it was her gambling that frightened Percy Gryce--it seems he was really taken with her at first. But, of course, among Lily's friends it's quite the custom for girls to play for money. In fact, people are inclined to excuse her on that account---"
"To excuse her for what?"
"For being hard up--and accepting attentions from men like Gus Trenor--and George Dorset---"
Mrs. Peniston gave another cry. "George Dorset? Is there any one else? I should like to know the worst, if you please."
"Don't put it in that way, cousin Julia. Lately Lily has been a good deal with the Dorsets, and he seems to admire her--but of course that's only natural. And I'm sure there is no truth in the horrid things people say; but she HAS been spending a great deal of money this winter. Evie Van Osburgh was at Celeste's ordering her trousseau the other day--yes, the marriage takes place next month--and she told me that Celeste showed her the most exquisite things she was just sending home to Lily. And people say that Judy Trenor has quarrelled with her on account of Gus; but I'm sure I'm sorry I spoke, though I only meant it as a kindness."
Mrs. Peniston's genuine incredulity enabled her to dismiss Miss Stepney with a disdain which boded ill for that lady's prospect of succeeding to the black brocade; but minds impenetrable to reason have generally some crack through which suspicion filters, and her visitor's insinuations did not glide off as easily as she had expected. Mrs. Peniston disliked scenes, and her determination to avoid them had always led her to hold herself aloof from the details of Lily's life. In her youth, girls had not been supposed to require close supervision. They were generally assumed to be taken up with the legitimate business of courtship and marriage, and interference in such affairs on the part of their natural guardians was considered as unwarrantable as a spectator's suddenly joining in a game. There had of course been "fast" girls even in Mrs. Peniston's early experience; but their fastness, at worst, was understood to be a mere excess of animal spirits, against which there could be no graver charge than that of being "unladylike." The modern fastness appeared synonymous with immorality, and the mere idea of immorality was as offensive to Mrs. Peniston as a smell of cooking in the drawing-room: it was one of the conceptions her mind refused to admit.
She had no immediate intention of repeating to Lily what she had heard, or even of trying to ascertain its truth by means of discreet interrogation. To do so might be to provoke a scene; and a scene, in the shaken state of Mrs. Peniston's nerves, with the effects of her dinner not worn off, and her mind still tremulous with new impressions, was a risk she deemed it her duty to avoid. But there remained in her thoughts a settled deposit of resentment against her niece, all the denser because it was not to be cleared by explanation or discussion. It was horrible of a young girl to let herself be talked about; however unfounded the charges against her, she must be to blame for their having been made. Mrs. Peniston felt as if there had been a contagious illness in the house, and she was doomed to sit shivering among her contaminated furniture.
Miss Bart had in fact been treading a devious way, and none of her critics could have been more alive to the fact than herself; but she had a fatalistic sense of being drawn from one wrong turning to another, without ever perceiving the right road till it was too late to take it.
Lily, who considered herself above narrow prejudices, had not imagined that the fact of letting Gus Trenor make a little money for her would ever disturb her self-complacency. And the fact in itself still seemed harmless enough; only it was a fertile source of harmful complications. As she exhausted the amusement of spending the money these complications be came more pressing, and Lily, whose mind could be severely logical in tracing the causes of her ill-luck to others, justified herself by the thought that she owed all her troubles to the enmity of Bertha Dorset. This enmity, however, had apparently expired in a renewal of friendliness between the two women. Lily's visit to the Dorsets had resulted, for both, in the discovery that they could be of use to each other; and the civilized instinct finds a subtler pleasure in making use of its antagonist than in confounding him. Mrs. Dorset was, in fact, engaged in a new sentimental experiment, of which Mrs. Fisher's late property, Ned Silverton, was the rosy victim; and at such moments, as Judy Trenor had once remarked, she felt a peculiar need of distracting her husband's attention. Dorset was as difficult to amuse as a savage; but even his self-engrossment was not proof against Lily's arts, or rather these were especially adapted to soothe an uneasy egoism. Her experience with Percy Gryce stood her in good stead in ministering to Dorset's humours, and if the incentive to please was less urgent, the difficulties of her situation were teaching her to make much of minor opportunities.
Intimacy with the Dorsets was not likely to lessen such difficulties on the material side. Mrs. Dorset had none of Judy Trenor's lavish impulses, and Dorset's admiration was not likely to express itself in financial "tips," even had Lily cared to renew her experiences in that line. What she required, for the moment, of the Dorsets' friendship, was simply its social sanction. She knew that people were beginning to talk of her; but this fact did not alarm her as it had alarmed Mrs. Peniston. In her set such gossip was not unusual, and a handsome girl who flirted with a married man was merely assumed to be pressing to the limit of her opportunities. It was Trenor himself who frightened her. Their walk in the Park had not been a success. Trenor had married young, and since his marriage his intercourse with women had not taken the form of the sentimental small-talk which doubles upon itself like the paths in a maze. He was first puzzled and then irritated to find himself always led back to the same starting-point, and Lily felt that she was gradually losing control of the situation. Trenor was in truth in an unmanageable mood. In spite of his understanding with Rosedale he had been somewhat heavily "touched" by the fall in stocks; his household expenses weighed on him, and he seemed to be meeting, on all sides, a sullen opposition to his wishes, instead of the easy good luck he had hitherto encountered.
Mrs. Trenor was still at Bellomont, keeping the town-house open, and descending on it now and then for a taste of the world, but preferring the recurrent excitement of week-end parties to the restrictions of a dull season. Since the holidays she had not urged Lily to return to Bellomont, and the first time they met in town Lily fancied there was a shade of coldness in her manner. Was it merely the expression of her displeasure at Miss Bart's neglect, or had disquieting rumours reached her? The latter contingency seemed improbable, yet Lily was not without a sense of uneasiness. If her roaming sympathies had struck root anywhere, it was in her friendship with Judy Trenor. She believed in the sincerity of her friend's affection, though it sometimes showed itself in self-interested ways, and she shrank with peculiar reluctance from any risk of estranging it. But, aside from this, she was keenly conscious of the way in which such an estrangement would react on herself. The fact that Gus Trenor was Judy's husband was at times Lily's strongest reason for disliking him, and for resenting the obligation under which he had placed her. To set her doubts at rest, Miss Bart, soon after the New Year, "proposed" herself for a week-end at Bellomont. She had learned in advance that the presence of a large party would protect her from too great assiduity on Trenor's part, and his wife's telegraphic "come by all means" seemed to as sure her of her usual welcome.
Judy received her amicably. The cares of a large party always prevailed over personal feelings, and Lily saw no change in her hostess's manner. Nevertheless, she was soon aware that the experiment of coming to Bellomont was destined not to be successful. The party was made up of what Mrs. Trenor called "poky people"--her generic name for persons who did not play bridge--and, it being her habit to group all such obstructionists in one class, she usually invited them together, regardless of their other characteristics. The result was apt to be an irreducible combination of persons having no other quality in common than their abstinence from bridge, and the antagonisms developed in a group lacking the one taste which might have amalgamated them, were in this case aggravated by bad weather, and by the ill-concealed boredom of their host and hostess. In such emergencies, Judy would usually have turned to Lily to fuse the discordant elements; and Miss Bart, assuming that such a service was expected of her, threw herself into it with her accustomed zeal. But at the outset she perceived a subtle resistance to her efforts. If Mrs. Trenor's manner toward her was unchanged, there was certainly a faint coldness in that of the other ladies. An occasional caustic allusion to "your friends the Wellington Brys," or to "the little Jew who has bought the Greiner house--some one told us you knew him, Miss Bart,"--showed Lily that she was in disfavour with that portion of society which, while contributing least to its amusement, has assumed the right to decide what forms that amusement shall take. The indication was a slight one, and a year ago Lily would have smiled at it, trusting to the charm of her personality to dispel any prejudice against her. But now she had grown more sensitive to criticism and less confident in her power of disarming it. She knew, moreover, that if the ladies at Bellomont permitted themselves to criticize her friends openly, it was a proof that they were not afraid of subjecting her to the same treatment behind her back. The nervous dread lest anything in Trenor's manner should seem to justify their disapproval made her seek every pretext for avoiding him, and she left Bellomont conscious of having failed in every purpose which had taken her there.
In town she returned to preoccupations which, for the moment, had the happy effect of banishing troublesome thoughts. The Welly Brys, after much debate, and anxious counsel with their newly acquired friends, had decided on the bold move of giving a general entertainment. To attack society collectively, when one's means of approach are limited to a few acquaintances, is like advancing into a strange country with an insufficient number of scouts; but such rash tactics have sometimes led to brilliant victories, and the Brys had determined to put their fate to the touch. Mrs. Fisher, to whom they had entrusted the conduct of the affair, had decided that TABLEAUX VIVANTS and expensive music were the two baits most likely to attract the desired prey, and after prolonged negotiations, and the kind of wire-pulling in which she was known to excel, she had induced a dozen fashionable women to exhibit themselves in a series of pictures which, by a farther miracle of persuasion, the distinguished portrait painter, Paul Morpeth, had been prevailed upon to organize.
Lily was in her element on such occasions. Under Morpeth's guidance her vivid plastic sense, hitherto nurtured on no higher food than dress-making and upholstery, found eager expression in the disposal of draperies, the study of attitudes, the shifting of lights and shadows. Her dramatic instinct was roused by the choice of subjects, and the gorgeous reproductions of historic dress stirred an imagination which only visual impressions could reach. But keenest of all was the exhilaration of displaying her own beauty under a new aspect: of showing that her loveliness was no mere fixed quality, but an element shaping all emotions to fresh forms of grace.
Mrs. Fisher's measures had been well-taken, and society, surprised in a dull moment, succumbed to the temptation of Mrs. Bry's hospitality. The protesting minority were forgotten in the throng which abjured and came; and the audience was almost as brilliant as the show.
Lawrence Selden was among those who had yielded to the proffered inducements. If he did not often act on the accepted social axiom that a man may go where he pleases, it was because he had long since learned that his pleasures were mainly to be found in a small group of the like-minded. But he enjoyed spectacular effects, and was not insensible to the part money plays in their production: all he asked was that the very rich should live up to their calling as stage-managers, and not spend their money in a dull way. This the Brys could certainly not be charged with doing. Their recently built house, whatever it might lack as a frame for domesticity, was almost as well-designed for the display of a festal assemblage as one of those airy pleasure-halls which the Italian architects improvised to set off the hospitality of princes. The air of improvisation was in fact strikingly present: so recent, so rapidly-evoked was the whole MISE-EN-SCENE that one had to touch the marble columns to learn they were not of cardboard, to seat one's self in one of the damask-and-gold arm-chairs to be sure it was not painted against the wall.
Selden, who had put one of these seats to the test, found himself, from an angle of the ball-room, surveying the scene with frank enjoyment. The company, in obedience to the decorative instinct which calls for fine clothes in fine surroundings, had dressed rather with an eye to Mrs. Bry's background than to herself. The seated throng, filling the immense room without undue crowding, presented a surface of rich tissues and jewelled shoulders in harmony with the festooned and gilded walls, and the flushed splendours of the Venetian ceiling. At the farther end of the room a stage had been constructed behind a proscenium arch curtained with folds of old damask; but in the pause before the parting of the folds there was little thought of what they might reveal, for every woman who had accepted Mrs. Bry's invitation was engaged in trying to find out how many of her friends had done the same.
Gerty Farish, seated next to Selden, was lost in that indiscriminate and uncritical enjoyment so irritating to Miss Bart's finer perceptions. It may be that Selden's nearness had something to do with the quality of his cousin's pleasure; but Miss Farish was so little accustomed to refer her enjoyment of such scenes to her own share in them, that she was merely conscious of a deeper sense of contentment.
"Wasn't it dear of Lily to get me an invitation? Of course it would never have occurred to Carry Fisher to put me on the list, and I should have been so sorry to miss seeing it all-and especially Lily herself. Some one told me the ceiling was by Veronese--you would know, of course, Lawrence. I suppose it's very beautiful, but his women are so dreadfully fat. Goddesses? Well, I can only say that if they'd been mortals and had to wear corsets, it would have been better for them. I think our women are much handsomer. And this room is wonderfully becoming--every one looks so well! Did you ever see such jewels? Do look at Mrs. George Dorset's pearls--I suppose the smallest of them would pay the rent of our Girls' Club for a year. Not that I ought to complain about the dub; every one has been so wonderfully kind. Did I tell you that Lily had given us three hundred dollars? Wasn't it splendid of her? And then she collected a lot of money from her friends--Mrs. Bry gave us five hundred, and Mr. Rosedale a thousand. I wish Lily were not so nice to Mr. Rosedale, but she says it's no use being rude to him, because he doesn't see the difference. She really can't bear to hurt people's feelings--it makes me so angry when I hear her called cold and conceited! The girls at the dub don't call her that. Do you know she has been there with me twice?--yes, Lily! And you should have seen their eyes! One of them said it was as good as a day in the country just to look at her. And she sat there, and laughed and talked with them--not a bit as if she were being CHARITABLE, you know, but as if she liked it as much as they did. They've been asking ever since when she's coming back; and she's promised me---oh!"
Miss Farish's confidences were cut short by the parting of the curtain on the first TABLEAU--a group of nymphs dancing across flower-strewn sward in the rhythmic postures of Botticelli's Spring. TABLEAUX VIVANTS depend for their effect not only on the happy disposal of lights and the delusive-interposition of layers of gauze, but on a corresponding adjustment of the mental vision. To unfurnished minds they remain, in spite of every enhancement of art, only a superior kind of wax-works; but to the responsive fancy they may give magic glimpses of the boundary world between fact and imagination. Selden's mind was of this order: he could yield to vision-making influences as completely as a child to the spell of a fairy-tale. Mrs. Bry's TABLEAUX wanted none of the qualities which go to the producing of such illusions, and under Morpeth's organizing hand the pictures succeeded each other with the rhythmic march of some splendid frieze, in which the fugitive curves of living flesh and the wandering light of young eyes have been subdued to plastic harmony without losing the charm of life.
The scenes were taken from old pictures, and the participators had been cleverly fitted with characters suited to their types. No one, for instance, could have made a more typical Goya than Carry Fisher, with her short dark-skinned face, the exaggerated glow of her eyes, the provocation of her frankly-painted smile. A brilliant Miss Smedden from Brooklyn showed to perfection the sumptuous curves of Titian's Daughter, lifting her gold salver laden with grapes above the harmonizing gold of rippled hair and rich brocade, and a young Mrs. Van Alstyne, who showed the frailer Dutch type, with high blue-veined forehead and pale eyes and lashes, made a characteristic Vandyck, in black satin, against a curtained archway. Then there were Kauffmann nymphs garlanding the altar of Love; a Veronese supper, all sheeny textures, pearl-woven heads and marble architecture; and a Watteau group of lute-playing comedians, lounging by a fountain in a sunlit glade.
Each evanescent picture touched the vision-building faculty in Selden, leading him so far down the vistas of fancy that even Gerty Farish's running commentary--"Oh, how lovely Lulu Melson looks!" or: "That must be Kate Corby, to the right there, in purple"--did not break the spell of the illusion. Indeed, so skilfully had the personality of the actors been subdued to the scenes they figured in that even the least imaginative of the audience must have felt a thrill of contrast when the curtain suddenly parted on a picture which was simply and undisguisedly the portrait of Miss Bart.
Here there could be no mistaking the predominance of personality--the unanimous "Oh!" of the spectators was a tribute, not to the brush-work of Reynolds's "Mrs. Lloyd" but to the flesh and blood loveliness of Lily Bart. She had shown her artistic intelligence in selecting a type so like her own that she could embody the person represented without ceasing to be herself. It was as though she had stepped, not out of, but into, Reynolds's canvas, banishing the phantom of his dead beauty by the beams of her living grace. The impulse to show herself in a splendid setting--she had thought for a moment of representing Tiepolo's Cleopatra--had yielded to the truer instinct of trusting to her unassisted beauty, and she had purposely chosen a picture without distracting accessories of dress or surroundings. Her pale draperies, and the background of foliage against which she stood, served only to relieve the long dryad-like curves that swept upward from her poised foot to her lifted arm. The noble buoyancy of her attitude, its suggestion of soaring grace, revealed the touch of poetry in her beauty that Selden always felt in her presence, yet lost the sense of when he was not with her. Its expression was now so vivid that for the first time he seemed to see before him the real Lily Bart, divested of the trivialities of her little world, and catching for a moment a note of that eternal harmony of which her beauty was a part.
"Deuced bold thing to show herself in that get-up; but, gad, there isn't a break in the lines anywhere, and I suppose she wanted us to know it!"
These words, uttered by that experienced connoisseur, Mr. Ned Van Alstyne, whose scented white moustache had brushed Selden's shoulder whenever the parting of the curtains presented any exceptional opportunity for the study of the female outline, affected their hearer in an unexpected way. It was not the first time that Selden had heard Lily's beauty lightly remarked on, and hitherto the tone of the comments had imperceptibly coloured his view of her. But now it woke only a motion of indignant contempt. This was the world she lived in, these were the standards by which she was fated to be measured! Does one go to Caliban for a judgment on Miranda?
In the long moment before the curtain fell, he had time to feel the whole tragedy of her life. It was as though her beauty, thus detached from all that cheapened and vulgarized it, had held out suppliant hands to him from the world in which he and she had once met for a moment, and where he felt an overmastering longing to be with her again.
He was roused by the pressure of ecstatic fingers. "Wasn't she too beautiful, Lawrence? Don't you like her best in that simple dress? It makes her look like the real Lily--the Lily I know."
He met Gerty Farish's brimming gaze. "The Lily we know," he corrected; and his cousin, beaming at the implied understanding, exclaimed joyfully: "I'll tell her that! She always says you dislike her."
The performance over, Selden's first impulse was to seek Miss Bart. During the interlude of music which succeeded the TABLEAUX, the actors had seated themselves here and there in the audience, diversifying its conventional appearance by the varied picturesqueness of their dress. Lily, however, was not among them, and her absence served to protract the effect she had produced on Selden: it would have broken the spell to see her too soon in the surroundings from which accident had so happily detached her. They had not met since the day of the Van Osburgh wedding, and on his side the avoidance had been intentional. Tonight, however, he knew that, sooner or later, he should find himself at her side; and though he let the dispersing crowd drift him whither it would, without making an immediate effort to reach her, his procrastination was not due to any lingering resistance, but to the desire to luxuriate a moment in the sense of complete surrender.
Lily had not an instant's doubt as to the meaning of the murmur greeting her appearance. No other tableau had been received with that precise note of approval: it had obviously been called forth by herself, and not by the picture she impersonated. She had feared at the last moment that she was risking too much in dispensing with the advantages of a more sumptuous setting, and the completeness of her triumph gave her an intoxicating sense of recovered power. Not caring to diminish the impression she had produced, she held herself aloof from the audience till the movement of dispersal before supper, and thus had a second opportunity of showing herself to advantage, as the throng poured slowly into the empty drawing-room where she was standing.