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Sister Carrie, by Theodore Dreiser Chapter XLII A Touch Of Spring--The Empty Shell Those who look upon Hurstwood's
Brooklyn venture as an error of judgment will none the less realise the
negative influence on him of the fact that he had tried and failed.
Carrie got a wrong idea of it.
He said so little that she imagined he had encountered nothing
worse than the ordinary roughness--quitting so soon in the face of this
seemed trifling. He did not
want to work.
She was now one of a group of
oriental beauties who, in the second act of the comic opera, were paraded
by the vizier before the new potentate as the treasures of his harem.
There was no word assigned to any of them, but on the evening when
Hurstwood was housing himself in the loft of the street-car barn, the
leading comedian and star, feeling exceedingly facetious, said in a
profound voice, which created a ripple of laughter: "Well, who are you?" It merely happened to be Carrie
who was courtesying before him. It might as well have been any of the
others, so far as he was concerned. He
expected no answer and a dull one would have been reproved.
But Carrie, whose experience and belief in herself gave her daring,
courtesied sweetly again and answered: "I am yours truly." It was a trivial thing to say,
and yet something in the way she did it caught the audience, which laughed
heartily at the mock- fierce potentate towering before the young woman.
The comedian also liked it, hearing the laughter. "I thought your name was
Smith," he returned, endeavouring to get the last laugh. Carrie almost trembled for her
daring after she had said this. All members of the company had been warned
that to interpolate lines or "business" meant a fine or worse.
She did not know what to think. As she was standing in her proper
position in the wings, awaiting another entry, the great comedian made his
exit past her and paused in recognition. "You can just leave that in
hereafter," he remarked, seeing how intelligent she appeared.
"Don't add any more, though." "Thank you," said
Carrie, humbly. When he went
on she found herself trembling violently. "Well, you're in luck,"
remarked another member of the chorus. "There isn't another one of us
has got a line." |
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There was no gainsaying the value
of this. Everybody in the
company realised that she had got a start.
Carrie hugged herself when next evening the lines got the same
applause. She went home
rejoicing, knowing that soon something must come of it.
It was Hurstwood who, by his presence, caused her merry thoughts to
flee and replaced them with sharp longings for an end of distress. The next day she asked him about
his venture. "They're not trying to run
any cars except with police. They
don't want anybody just now--not before next week." Next week came, but Carrie saw no
change. Hurstwood seemed more
apathetic than ever. He saw her
off mornings to rehearsals and the like with the utmost calm.
He read and read. Several
times he found himself staring at an item, but thinking of something else.
The first of these lapses that he sharply noticed concerned a
hilarious party he had once attended at a driving club, of which he had been
a member. He sat, gazing
downward, and gradually thought he heard the old voices and the clink of
glasses. "You're a dandy, Hurstwood,"
his friend Walker said. He was
standing again well dressed, smiling, good-natured, the recipient of encores
for a good story. All at once he looked up.
The room was so still it seemed ghostlike.
He heard the clock ticking audibly and half suspected that he had
been dozing. The paper was so
straight in his hands, however, and the items he had been reading so
directly before him, that he rid himself of the doze idea.
Still, it seemed peculiar. When
it occurred a second time, however, it did not seem quite so strange. Butcher and grocery man, baker
and coal man--not the group with whom he was then dealing, but those who had
trusted him to the limit--called. He
met them all blandly, becoming deft in excuse. At last he became bold,
pretended to be out, or waved them off. "They can't get blood out of
a turnip," he said. "if
I had it I'd pay them." Carrie's little soldier friend,
Miss Osborne, seeing her succeeding, had become a sort of satellite.
Little Osborne could never of herself amount to anything.
She seemed to realise it in a sort of pussy-like way and
instinctively concluded to cling with her soft little claws to Carrie. "Oh, you'll get up,"
she kept telling Carrie with admiration. "You're so good." Timid as Carrie was, she was
strong in capability. The
reliance of others made her feel as if she must, and when she must she
dared. Experience of the world and of necessity was in her favour.
No longer the lightest word of a man made her head dizzy.
She had learned that men could change and fail.
Flattery in its most palpable form had lost its force with her. It required superiority--kindly superiority--to move her--the
superiority of a genius like Ames. "I don't like the actors in
our company," she told Lola one day. "They're all so struck on
themselves." "Don't you think Mr.
Barclay's pretty nice?" inquired Lola, who had received a condescending
smile or two from that quarter. "Oh, he's nice enough,"
answered Carrie; "but he isn't sincere. He assumes such an air." Lola felt for her first hold upon
Carrie in the following manner: "Are you paying room-rent
where you are?" "Certainly," answered
Carrie. "Why?" "I know where I could get
the loveliest room and bath, cheap. It's too big for me, but it would be
just right for two, and the rent is only six dollars a week for both." "Where?" said Carrie. "In Seventeenth
Street." "Well, I don't know as I'd
care to change," said Carrie, who was already turning over the
three-dollar rate in her mind. She
was thinking if she had only herself to support this would leave her
seventeen for herself. Nothing came of this until after
the Brooklyn adventure of Hurstwood's and her success with the speaking
part. Then she began to feel as
if she must be free. She
thought of leaving Hurstwood and thus making him act for himself, but he had
developed such peculiar traits she feared he might resist any effort to
throw him off. He might hunt
her out at the show and hound her in that way.
She did not wholly believe that he would, but he might.
This, she knew, would be an embarrassing thing if he made himself
conspicuous in any way. It
troubled her greatly. Things were precipitated by the
offer of a better part. One of
the actresses playing the part of a modest sweetheart gave notice of leaving
and Carrie was selected. "How much are you going to
get?" asked Miss Osborne, on hearing the good news. "I didn't ask him,"
said Carrie. "Well, find out.
Goodness, you'll never get anything if you don't ask.
Tell them you must have forty dollars, anyhow." "Oh, no," said Carrie. "Certainly!" exclaimed
Lola. "Ask 'em,
anyway." Carrie succumbed to this
prompting, waiting, however, until the manager gave her notice of what
clothing she must have to fit the part. "How much do I get?"
she inquired. "Thirty-five dollars,"
he replied. Carrie was too much astonished
and delighted to think of mentioning forty.
She was nearly beside herself, and almost hugged Lola, who clung to
her at the news. "It isn't as much as you
ought to get," said the latter, "especially when you've got to buy
clothes." Carrie remembered this with a
start. Where to get the money?
She had none laid up for such an emergency.
Rent day was drawing near. "I'll not do it," she
said, remembering her necessity. "I
don't use the flat. I'm not
going to give up my money this time. I'll
move." Fitting into this came another
appeal from Miss Osborne, more urgent than ever. "Come live with me, won't
you?" she pleaded. "We
can have the loveliest room. It
won't cost you hardly anything that way." "I'd like to," said
Carrie, frankly. "Oh, do," said Lola.
"We'll have such a good time." Carrie thought a while. "I believe I will," she
said, and then added: "I'll have to see first, though." With the
idea thus grounded, rent day approaching, and clothes calling for instant
purchase, she soon found excuse in Hurstwood's lassitude.
He said less and drooped more than ever. As rent day approached, an idea
grew in him. It was fostered by
the demands of creditors and the impossibility of holding up many more.
Twenty-eight dollars was too much for rent.
"It's hard on her," he thought.
"We could get a cheaper place." Stirred with this idea, he spoke
at the breakfast table. "Don't you think we pay too
much rent here?" he asked. "Indeed I do," said
Carrie, not catching his drift. "I should think we could get
a smaller place," he suggested. "We
don't need four rooms." Her countenance, had he been
scrutinising her, would have exhibited the disturbance she felt at this
evidence of his determination to stay by her.
He saw nothing remarkable in asking her to come down lower. "Oh, I don't know," she
answered, growing wary. "There must be places around
here where we could get a couple of rooms, which would do just as
well." Her heart revolted.
"Never!" she thought.
Who would furnish the money to move? To think of being in two rooms
with him! She resolved to spend her money for clothes quickly, before
something terrible happened. That very day she did it.
Having done so, there was but one other thing to do. "Lola," she said,
visiting her friend, "I think I'll come." "Oh, jolly!" cried the
latter. "Can we get it right
away?" she asked, meaning the room. "Certainly," cried
Lola. They went to look at it.
Carrie had saved ten dollars from her expenditures--enough for this
and her board beside. Her enlarged salary would not begin for ten days yet--would
not reach her for seventeen. She
paid half of the six dollars with her friend. "Now, I've just enough to
get on to the end of the week," she confided. "Oh, I've got some,"
said Lola. "I've got
twenty-five dollars, if you need it." "No," said Carrie.
"I guess I'll get along." They decided to move Friday,
which was two days away. Now
that the thing was settled, Carrie's heart misgave her.
She felt very much like a criminal in the matter.
Each day looking at Hurstwood, she had realised that, along with the
disagreeableness of his attitude, there was something pathetic. She looked at him the same
evening she had made up her mind to go, and now he seemed not so shiftless
and worthless, but run down and beaten upon by chance.
His eyes were not keen, his face marked, his hands flabby.
She thought his hair had a touch of grey.
All unconscious of his doom, he rocked and read his paper, while she
glanced at him. Knowing that the end was so near,
she became rather solicitous. "Will you go over and get
some canned peaches?" she asked Hurstwood, laying down a two-dollar
bill. "Certainly," he said,
looking in wonder at the money. "See if you can get some
nice asparagus," she added. "I'll
cook it for dinner." Hurstwood rose and took the
money, slipping on his overcoat and getting his hat.
Carrie noticed that both of these articles of apparel were old and
poor looking in appearance. It
was plain enough before, but now it came home with peculiar force.
Perhaps he couldn't help it, after all.
He had done well in Chicago. She remembered his fine appearance the
days he had met her in the park. Then
he was so sprightly, so clean. Had
it been all his fault? He came back and laid the change
down with the food. "You'd better keep it,"
she observed. "We'll need
other things." "No," he said, with a
sort of pride; "you keep it." "Oh, go on and keep
it," she replied, rather unnerved.
"There'll be other things." He wondered at this, not knowing
the pathetic figure he had become in her eyes.
She restrained herself with difficulty from showing a quaver in her
voice. To say truly, this would have
been Carrie's attitude in any case. She had looked back at times upon her
parting from Drouet and had regretted that she had served him so badly.
She hoped she would never meet him again, but she was ashamed of her
conduct. Not that she had any
choice in the final separation. She had gone willingly to seek him, with sympathy in her
heart, when Hurstwood had reported him ill.
There was something cruel somewhere, and not being able to track it
mentally to its logical lair, she concluded with feeling that he would never
understand what Hurstwood had done and would see hard-hearted decision in
her deed; hence her shame. Not
that she cared for him. She did
not want to make any one who had been good to her feel badly. She did not realise what she was
doing by allowing these feelings to possess her.
Hurstwood, noticing the kindness, conceived better of her.
"Carrie's good-natured, anyhow," he thought. Going to Miss Osborne's that
afternoon, she found that little lady packing and singing. "Why don't you come over
with me today?" she asked. "Oh, I can't," said
Carrie. "I'll be there
Friday. Would you mind lending
me the twenty-five dollars you spoke of?" "Why, no," said Lola,
going for her purse. "I want to get some other
things," said Carrie. "Oh, that's all right,"
answered the little girl, good-naturedly, glad to be of service. It had been
days since Hurstwood had done more than go to the grocery or to the
news-stand. Now the weariness
of indoors was upon him--had been for two days--but chill, grey weather had
held him back. Friday broke
fair and warm. It was one of
those lovely harbingers of spring, given as a sign in dreary winter that
earth is not forsaken of warmth and beauty.
The blue heaven, holding its one golden orb, poured down a crystal
wash of warm light. It was
plain, from the voice of the sparrows, that all was halcyon outside.
Carrie raised the front windows, and felt the south wind blowing. "It's lovely out
to-day," she remarked. "Is it?" said Hurstwood. After breakfast, he immediately
got his other clothes. "Will you be back for
lunch?" asked Carrie nervously. "No," he said. He went out into the streets and
tramped north, along Seventh Avenue, idly fixing upon the Harlem River as an
objective point. He had seen some ships up there, the time he had called
upon the brewers. He wondered
how the territory thereabouts was growing. Passing Fifty-ninth Street, he
took the west side of Central Park, which he followed to Seventy-eighth
Street. Then he remembered the
neighbourhood and turned over to look at the mass of buildings erected. It was very much improved.
The great open spaces were filling up.
Coming back, he kept to the Park until 110th Street, and then turned
into Seventh Avenue again, reaching the pretty river by one o'clock. There it ran winding before his
gaze, shining brightly in the clear light, between the undulating banks on
the right and the tall, tree-covered heights on the left. The spring-like atmosphere woke him to a sense of its
loveliness, and for a few moments he stood looking at it, folding his hands
behind his back. Then he turned
and followed it toward the east side, idly seeking the ships he had seen.
It was four o'clock before the waning day, with its suggestion of a
cooler evening, caused him to return. He
was hungry and would enjoy eating in the warm room. When he reached the flat by
half-past five, it was still dark. He knew that Carrie was not there, not
only because there was no light showing through the transom, but because the
evening papers were stuck between the outside knob and the door. He opened with his key and went in. Everything was still dark.
Lighting the gas, he sat down, preparing to wait a little while.
Even if Carrie did come now, dinner would be late.
He read until six, then got up to fix something for himself. As he did so, he noticed that the
room seemed a little queer. What was it? He looked around, as if he missed
something, and then saw an envelope near where he had been sitting.
It spoke for itself, almost without further action on his part. Reaching over, he took it, a sort
of chill settling upon him even while he reached.
The crackle of the envelope in his hands was loud.
Green paper money lay soft within the note. "Dear George," he read, crunching the money in one
hand, "I'm going away. I'm
not coming back any more. It's
no use trying to keep up the flat; I can't do it.
I wouldn't mind helping you, if I could, but I can't support us both,
and pay the rent. I need what
little I make to pay for my clothes. I'm
leaving twenty dollars. It's
all I have just now. You can do
whatever you like with the furniture. I
won't want it.--CARRIE. He dropped the note and looked
quietly round. Now he knew what
he missed. It was the little
ornamental clock, which was hers. It had gone from the mantelpiece.
He went into the front room, his bedroom, the parlour, lighting the
gas as he went. From the
chiffonier had gone the knick-knacks of silver and plate.
From the table-top, the lace coverings.
He opened the wardrobe--no clothes of hers. He opened the drawers--nothing of hers. Her trunk was gone from its accustomed place.
Back in his own room hung his old clothes, just as he had left them.
Nothing else was gone. He stepped into the parlour and
stood for a few moments looking vacantly at the floor.
The silence grew oppressive. The
little flat seemed wonderfully deserted.
He wholly forgot that he was hungry, that it was only dinner-time.
It seemed later in the night. Suddenly, he found that the money
was still in his hands. There
were twenty dollars in all, as she had said.
Now he walked back, leaving the lights ablaze, and feeling as if the
flat were empty. "I'll get out of this,"
he said to himself. Then the sheer loneliness of his
situation rushed upon him in full. "Left me!" he muttered,
and repeated, "left me!" The place that had been so
comfortable, where he had spent so many days of warmth, was now a memory.
Something colder and chillier confronted him.
He sank down in his chair, resting his chin in his hand--mere
sensation, without thought, holding him. Then something like a bereaved
affection and self-pity swept over him. "She needn't have gone
away," he said. "I'd
have got something." He sat a long while without
rocking, and added quite clearly, out loud: "I tried, didn't I?" At midnight he was still rocking,
staring at the floor.
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